-It’s a picture of a tank. I was drawn by the word “tank” on the outside. I did it pretty much straight away.
-What is your personal favorite thing about drawing the tank, if it’s not the story itself?
-I think the story itself has the best story anyway. But there’s also a lot of action. That’s a lot of fun. There’s not a lot of action in every panel. I like the action scenes because they have character. The story is the only thing that has character.
-Do you think there’s a reason why the artwork is so much larger than an average comic book page?
-For me, it’s for the art. When you draw an image of something in my head, then when you draw that image on paper, it gets a lot bigger. I know it makes you feel very, very small, but it makes me feel very, very small. It’s really nice to have that feeling for everything on the page.
“The world is coming to an end.” -Tanks in Action #1 cover art by Chris Samnee and Joe Quinones (Marvel Comics)
-Is the artwork a part of your life?
-Well it’s my life for the most part. I used to draw a lot of covers for magazines and stuff, but I was never really that into drawing like that, even though I could and I do a lot of it. I didn’t like drawing. I really hate it.
But it was never really the point. It was always just me. The fun thing was that for the first couple years, when I came up with a character, I really just drew that character as hard as I could and didn’t think about it at all. I just did whatever I could. I did the drawing on the cover of The Tank Magazine. I did about ten of them, and I went home and looked at them, and I was like, “What the hell have I done? I shouldn’t have done that.” That got to be so much fun when I’d have someone come in and say, “I want a comic with Tank.” But anyway, just to draw him for a week and a half just gave me this feeling of accomplishment.
I used to draw everything in the style of The Tank Magazine, or any other comics magazine. But when I got the opportunity to draw a comic book, I just wanted to do everything as
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